The RS20 contains two independent modules: a high quality ring modulator, and a four-part multiple.
There are two types of ring modulator (RM) used in audio synthesis: AC-coupled, and DC-coupled. These are alternative configurations of the same device, but will often produce different results from the same inputs.
The AC coupled device is the most common. Simply described, this accepts the input of two sources with frequencies X and Y, and outputs a single signal with component frequencies: X+Y and X-Y. The original signals are suppressed, so you only hear these "sum" and "difference" frequencies.
The frequencies contained in the new signal will rarely be harmonically related, so ring modulation is well-suited to producing clangorous and metallic tones. If the inputs are harmonically rich the output will be a complex waveform, often harsh, and possibly unusable for all but sound effects.
The output from a DC-coupled RM is more complex than that produced by an AC-coupled device, and contains the original frequencies X and Y as well as the sum and difference frequencies X+Y and X-Y.
If one of the inputs is an LFO, an RM acts as a voltage controlled amplifier, and the amplitude of the output signal will be proportional to the instantaneous voltage of the low frequency signal. This has a surprising consequence: if the LFO is a pulse wave, the output will be rhythmic and syncopated at the pulse wave ratio.
Some synthesisers offer switches that allow you to select between AC-coupled and DC-coupled operation. The ARP2600 is one example of such an instrument.
A popular use for ring modulators may be demonstrated if you use a human voice as one input and a frequency of, say, 100Hz, as the other. The classic "Dalek" timbre results.
IN USE The RS20 incorporates a high
quality AC-coupled ring modulator that sounds somewhat different to
the RMs in synthesisers such as the ARP2600, Roland System 100M, and
EMS VCS3. This is because these three instruments (and many others)
use the same ring modulator chip: the LM1496. The RS20 is
an altogether different design that offers accurate ring modulation
over a wider range of frequencies and amplitudes. It offers two
inputs and one output. There are no controls.
The RS20 also incorporates a passive "multiple" with four interconnected input/output sockets. These are hard-wired together and may be used to distribute any audio signal or CV to multiple destinations. This multiple may be used as a simple mixer with unity gain.